Clean up static from the vocal by opening it in Edison and processing it with a clean-up de-noising tool. Mixing and blending rap vocals in FL Studio: step-by-stepġ. You can go as deep into the rabbit hole as your producer brain pleases. The instrumental and vocal can truly work together if you want them too. Don’t be afraid to build around the rap vocal and experiment by adding and muting sounds, and working out specific rhythms and pulses to enhance the movement of the vocal. What we’re saying is, you can make changes with just a click or two. These days, we have the beauty and potential of electronic production. Often, this worked fine, especially if the producer had experience making tracks for (rap) vocals. The traditional way of working with rap was always to have the instrumental in place before recording and implementing the vocals. If you enjoy certain presets, you can use them as a starting point and tweak them along the way. That way, you can test them on your vocal and find out which textures work for you. We encourage you to create FL Studio mixer presets as you go. We also want the vocal to support and supplement the mix by becoming one with the identity of the track and colour of the mix. What works for one might not work for another.Įarlier, we described how we want the mix to adapt to the vocal. Treat every recording as its own unique identity. The microphone, the rapper’s performance, their distance from the mic, and background static – these factors can lead to varied recording results. FL flowĪn enormous part of processing your vocals is understanding what type of recording you’re dealing with. If you’re in a phone booth, follow the rules of the space, and try to keep competing frequencies apart. If your mix already boasts booming mids and you want to stick in a rap vocal, the result might be the sonic equivalent of jamming two angry UFC fighters in a phone booth. Naturally, then, we don’t want this range to be pressured in the instrumental. This average range is very active in the mids and high-mids. Yes, every voice is different but, for the sake of practicality, we can draw some averages here. Though not an instrument per se, the human voice has a range just like any other instrument. This space-awareness concept flows nicely into the next essential step that needs to be addressed: the human voice. So if you’re having a hard time figuring out how to blend your rap vocals, zoom out and consider the overall picture: are there are too many voices that want to speak up? Add in the fact that rap vocals don’t simply impart rhythm and sound to the listener but also words that need to stand out, be processed and understood, and you’ll understand that rap vocals need to be granted considerable room in the mix.
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